Classic Jonny Quest Comics© 1998, Lyle P. BlosserJonny Quest and distinctive likenesses, © Hanna-Barbera Productions, Inc. All other images, by publisher as noted, © Comico The Comic Company, Gold Key, and Hanna-Barbera. What are "Classic Jonny Quest" comics, you ask? My criteria follow:
Jonny Quest [Gold Key] #1, 1964: The Mystery of the Lizard Men
Aside from the COMICO productions, there is one very special comic book that is the Jonny Quest collector's "holy grail" - Gold Key's 1964 issue of "The Mystery of the Lizard Men." This was an adaption of the 1964 series episode of the same name, and is very rare today. A recent (1998) check of a comic book value guide lists this comic, if in mint condition, at a value of $300! Even a fair condition copy goes for $25 or more. If you have one of these, by all means, appreciate it! That means protecting it, but not hiding it away and never looking at it. There are many JQ collectors who have never seen this book, but would love to. I've only recently been able to locate a copy, thanks to a fellow JQ fan (HS, gracias!), and can tell you it's worth the search! The book reads like a still frame version of the episode, with many of the same scenes, and the art style is similar to that of the show, although no artist is given credit in the book. This is the jewel of my JQ comic collection! Jonny Quest [COMICO]COMICO The Comic Company1547 DeKalb St., Norristown, PA 19401 Between 1986 and 1988, Comico produced a set of 31 standard-issue Jonny Quest comics, plus 2 "specials," and a very nice set of three "classic" issues. These books were created with the approval of Hanna-Barbera, and storylines and character development had to fit H-B's guidelines. After all, JQ was still a major success for H-B; around this same time frame (1986), H-B was producing JQ's "second season," so they were pretty involved with any projects involving the JQ license. As much as anything else (outside the original TV episodes), these books can (IMHO) be considered "canon" in the Jonny Quest universe. Nothing in these comics (to my knowledge) contradicts anything shown in the episodes, and the characters develop in a manner consistent with the original concepts. These comics were decently promoted, and, on the whole, very well received, at least at first, although a downturn in circulation eventually ended the series (as it has for many, many others). The original plan was to produce 12 issues, but fortunately this soon grew to:
Below are scans of each issue's cover, with the technical details for each book, and, of course, some personal comments. Click on the cover images or titles to see larger images of the comic book covers. #1, June 1986: The Sands of Khasa Tahid
Part 1 "The Sands of Khasa Tahid": Doug Wildey (writer, artist, inker, colorist, letterer, etc.)Part 2 "City of Time Lost": William Messner-Loebs, writer; Steve Rude, artist; Mike Royer, inker; Matt Wagner, colorist; Bob Pinaha, letterer; Diana Schutz, editor This is the next-best thing to seeing a brand-new JQ episode -- a JQ comic drawn by Doug Wildey! (Well, at least half of it was -- more on that later.) The cover, also by Wildey (click on the image or title to see the complete image), is pure vintage JQ, and while reading the first half of the book, one can almost hear the character's voices and that wonderful Hoyt Curtin underscore. Wildey scores a coup, here, by including nearly every character that appeared more than once in the classic TV show in his story: Jonny, Hadji, Bandit, Race, and Dr. Quest, of course, but also Jade and Dr. Zin (the only TV show repeat character not in this story is Mr. Corbin, Race's boss at Intelligence-1). In doing so, he set the stage for the rest of the books, and how they would be constructed. We couldn't have asked for a better start! The second half of the book picks up the tale started in the first half, and does a creditable job, IMHO, although it does suffer by comparison to the Wildey lead-in. The characters aren't drawn quite the same, although they're pretty good, and the dialogue and atmosphere come very close to Wildey's standards. It's a shame Wildey couldn't have done more for this series (he did do two more covers, as well as all the work in re-creating three TV episodes in the "classics" series), but Comico did a respectable job in trying to duplicate the feel of the original TV show. Trivia:Wildey makes it official in this issue -- Jade's nickname is "Jezebel." Although widely accepted among classic JQ fans, this was never mentioned in the TV episodes. (She was always simply referred to as "Jade.") #2, July 1986: Enter Race BannonWilliam Messner-Loebs, writer; Wendy Pini, penciller; Joe Staton, inker; Bob Pinaha, letterer; Rick Taylor, colorist; Diana Schutz, editor; Steve Rude, cover We were never told, in the original TV series, what happened to Jonny's mom. All we know is this: in the episode titled "Mystery of the Lizard Men" the intelligence personnel charged with protecting Dr. Quest and Jonny mention that Jonny's mother died. In "Jonny's Golden Quest," that movie's makers attempted to answer that question, but in the opinion of many, handled it very poorly, involving Dr. Zin in her death. Now, in issue #2, COMICO gives their version of what happened, and, at the same time, tell how Race Bannon became assigned to the scientist and his son. Sensitively told, with much affection for the characters, this second issue bodes well for the series, even though the artwork is a little "flatter" than the Doug Wildey or Steve Rude productions, but it still is quite decent, all the same. And the cover makes nice use of a shadow to "mask" one character's appearance, so not too much is given away. Note:See the Classic JQ FAQ page's entry on Jonny's mom for more on this subject. William Messner-Loebs, writer; Mark Hempel, penciller, letterer; Mark Wheatley, inker, colorist; Kathryn Mayer, letterer, colorist; Diana Schutz, editor; Dave Stevens, front cover; Marc Hempel, Mark Wheatley, back cover A decent yarn involving terrorists, a foreign locale, a mysterious local legend, enemies who turn out to be friends, friends who turn out to be enemies, and lots of action. The introduction of a new character, Wild Jim Cannon, a former colleague of Race's, was done pretty well, reminiscient of Dr. Quest's scientist associates we sometimes get to meet. The artwork was a bit "fuller" in this issue compared to that in issue #2; more richly-drawn with shadows and colors mixing well, and the dialogue was well-done, too. William Messner-Loebs, story; Tom Yeates, pencils; Bob Pinaha, letters; Dan Adkins, Bret Blevins, Sam Kieth, Steve Leialoha, Steve Rude, Dave Stevens, Al Williamson, Tom Yeates, inks; Ken Feduniewicz, colors; Diana Schutz, edits; Tom Yeates, Al Williamson, cover This was an interesting issue - a bit of comedy, actually, which is not all that common in the world of JQ. Oh, the mystery was present, and it did take place in a remote location, so it was still recognizable JQ. And the artwork and layout was very good -- rich, full, lots of textures, shadows, color, but not too busy or confusing. William Messner-Loebs, chief executive officer; Mitch Schauer, president; John Nyberg, vice-president; Steve Haynie, secretary; Rick Taylor, director of public relations; Diana Schutz, chairman of the board; Dave Stevens, front cover; Mitch Schauer (pencils), Bret Blevins (inks), Rick Taylor (colors), back cover This issue "pushed the envelope" in several ways, some good, some not so. It was good to have the focus on Jade (I personally think that this was a "trial" for the limited 3-issue series Jezebel Jade that Comico would produce in the future). And it was good to see both Jonny and Hadji hold their own in a tale that required not only quick reflexes but quick thinking, as well. And, to the best of my knowledge, this issue showed a face-to-face meeting with Dr. Zin for the first time. And the Dave Stevens cover was excellent (although Jade never looked like that in the TV episodes)! That was the good... Now, for the not so good...Zin's "sky fortress" was WAY over the top; there's NO WAY a monstrous ship like that can just be conveniently hovering in one place -- that thing was a battleship! And having a CAR fitted with rockets so it could rendezvous with the fortress was too unbelievable. If they wanted Zin to be accessible in this tale, they could have used more conventional travel means (helicopter, supersonic jet, etc.) to get Jade and the boys to his earth-bound fortress instead. And having Jonny fly the car off the fortress and maneuver it accurately enough to get them safely back to earth was also a bit of a stretch. If these parts were removed, the tale would be much improved. Finally, the artwork was a bit "flat" again; I sure miss those striking shadows and textures of Wildey, Rude, and Stevens. William Messner-Loebs, story; Adam Kubert, art, letters, colors; Diana Schutz, edits In this continuation of the story in issue #5, there's more goodness and more...uh...not-goodness. The artwork and dialogue were very good, with the one exception of the (seeming) abundance of "sound effects" (Kawhooommmm! Kreeeeeeee!! and even Bar-Kashvrrroooom! (Bar-Kashvrrroooom?)) -- we really don't need that in a JQ episode. Of course, Dr. Zin and his fantastic flying fortress were back (ugh) and the government types were too stereotypically bad (ugh, again), but the character of Quigley was developed well. William Messner-Loebs, story; Dan Spiegle, art; Carrie Spiegle, letters; Tom Reilly, colors; Diana Schutz, edits; Doug Wildey, cover Another Wildey cover (click on the image or title to see the complete, wrap-around image)! And a decent story, and the artwork is pretty good, too. One just needs to overlook the preponderance of all the high-tech gadgetry employed by Dr. Zin (who looks a little melon-headed in this issue, if you ask me). OK, so it's not just Zin, the Quest also use some pretty unbelievable gadgets, too. Those little floating disks they zoom about on almost made me throw the book away in disgust! (Only the Wildey cover saved it from such a fate.) However, I did like the story and the premise of what it must feel like for someone unfamiliar with the way the Quests work together to be dropped into the thick of things without a clue as to what's going on. And, by the time issue #31 (the last issue) rolls around, we'll see that the character of Kathy Martin, the social worker, will become much more... William Messner-Loebs, story; L. Lois Buhalis, letters; Diana Schutz, edits; Ken Steacy, everything else, eh? The story was an interesting one, and really held my interest through-out, but I couldn't stand much more of the art -- it was so stylized and "modernized" with edges and angles over-emphasized...well, to summarize, this is hopefully the last time this look is authorized! And I really didn't appreciate the graphic images of death on the back cover -- did we really need to see everyone but Jonny hanged by the neck from ropes (even Bandit)? William Messner-Loebs, writer; Bob Pinaha, letterer; Diana Schutz, editor; Murphy Anderson, artist; Dan Zolnerowich, background assist; Murphy Anderson III, colorist; Tim Truman, cover William Messner-Loebs, writer; Marc Hempel, penciller/letterer; Mark Wheatley, inker/colorist; Kathryn Mayer, letterer/colorist; Diana Schutz, editor; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, writing; Joe Staton, pencilling; Rick Burchett, inking; Bob Pinaha, lettering; Rick Taylor, cooring; Diana Schutz, editing; Bill Sienkiewicz, cover Hmm...a Bandit adventure? OK, I'll bite...just this once. William Messner-Loebs, writer; Dan Spiegle, artist; Carrie Spiegle, letterer; Tom Reilly, colorist; Diana Schutz, editor; Doug Wildey, cover Yes! Another wrap-around cover by Doug Wildey (click on the image or title to see the complete, wrap-around image)! William Messner-Loebs, writer; Carmine Infantino, artist; Adam Kubert, colorist; Bob Pinaha, letterer; Diana Schutz, editor; Carmine Infantino, cover William Messner-Loebs, story; Marc Hempel, pencils/letters; Mark Wheatley, inks/colors; Kathryn Mayer, letters/colors; Diana Schutz, edits; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, story; Marc Hempel, pencils & inks & letters; Mark Wheatley, colors; Kathryn Mayer, letters & colors; Diana Schutz, confessor; Marc Hempel, Mark Wheatley, cover Zin's first name is Napoleon? William Messner-Loebs, story; Marc Hempel, letters; Mark Wheatley, art/color; Kathryn Mayer, letters/color; Diana Schutz, edits; Marc Hempel, Mark Wheatley, cover Never did like lycanthropy stories; always seemed too contrived. Here's an example of what I mean... William Messner-Loebs, direction; Marc Hempel, Mark Wheatley, Kathryn Mayer, cinematography; Diana Schutz, gofer; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, script; Marc Hempel, Mark Wheatley, Kathryn Mayer, art; Diana Schutz, edits; Marc Hempel, Mark Wheatley, cover A 1940's-style detective yarn? OK, that explains the black-and-white... William Messner-Loebs, story; Ernie Colon, artwork; Bob Pinaha, letters; Kathryn Mayer, colors; Diana Schutz, report card; Ernie Colon, cover Written by William Messner-Loebs, from an idea by Robert Morgan; Illustrated by Marc Hempel, Mark Wheatley, and Kathryn Mayer; Edited by Diana Schutz; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, story; Dan Spiegle, art; Carrie Speigle, letters; Joe Matt, colors; Diana Schutz, edits; Dan Spiegle, cover Refreshingly rich artwork; but depressingly bland story about Race's childhood. William Messner-Loebs, writer; Marc Hempel, Mark Wheatley, Kathryn Mayer, illustrators; Diana Schutz, editor; Mark Wheatley, cover A glimpse of what it's REALLY like around Palm Key on a daily basis... William Messner-Loebs, story; Marc Hempel, pencils/letters; Mark Wheatley, pencils/inks/colors; Kathryn Mayer, letters/colors; Diana Schutz, jailer; Marc Hempel, cover William Messner-Loebs, writer; Marc Hempel, Mark Wheatley, Kathryn Mayer, artists; Diana Schutz, editor; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, story; Marc Hempel, pencils/letters; Mark Wheatley, inks/colors; Kathryn Mayer, letters/colors; Diana Schutz, edits; Marc Hempel, Mark Wheatley, cover Another Bandit story? Oh, well, better than another Race story...but not by much. William Messner-Loebs, story; Marc Hempel, pencils/letters; Mark Wheatley, inks/colors; Kathryn Mayer, letters/colors; Diana Schutz, gossip; Marc Hempel, Mark Wheatley, cover A fairly interesting concept, with a fair amount of character info...but, some of the flashbacks showing scenes from previous adventures (and the well-known classic TV adventures, at that) are just plain WRONG! If you are going to use some very familiar images in your tale, better at least portray them accurately! William Messner-Loebs, story; Marc Hempel, Mark Wheatley, Kathryn Mayer, illustrators; Diana Schutz, Canadian; with thanks to B.A. Richardson; Marc Hempel, Mark Wheatley, cover At last! A story focusing on Jonny! It is "Jonny Quest," after all, and after Bandit had his second episode, I was wondering if Jonny would ever get his chance. Well, he does, in this fine tale of a young man using his wits and courage to survive... William Messner-Loebs, writer; Marc Hempel, penciller/letterer; Mark Wheatley, penciller/inker/colorist; Kathryn Mayer, letterer/colorist; Diana Schutz, editor; Marc Hempel, Mark Wheatley, cover William Messner-Loebs, story; Marc Hempel, Mark Wheatley, Kathryn Mayer, illustrators; Diana Schutz, editor; Marc Hempel, Mark Wheatley, cover Teleplay adaption: William Messner-Loebs; Art: Marc Hempel, Mark Wheatley, and Kathryn Mayer; Memories: Diana Schutz This retelling of the classic television episode does well in that it keeps a lot of the same dialogue and images from the show. The artwork maintains its usual adequate, if a bit flat, quality, but...one wonders (dreams, actually) of what this could have been if drawn by the master, Doug Wildey! With a new intro and trailer surrounding the episode proper, this issue was enjoyable and refreshing after some of the more "off the wall" stories in previous issues. This is what Jonny Quest was, and should be, all about! William Messner-Loebs, writer; Marc Hempel, pencils/letters; Mark Wheatley, inks/colors; Kathryn Mayer, letters/colors; Diana Schutz, editor; Marc Hempel, Mark Wheatley, cover Jonny Quest Special [COMICO]Arthur Byron Cover, writer; Richard Howell, penciller; Jim Mooney, inker; Tom Addis, letterer; Insight Studios, coloring; Diana Schutz, editor; Richard Howell, cover Arthur Byron Cover, writer; John Hebert, penciller; Bill Anderson, inker; Ken Holewczynski, letterer; Mark Wheatley, colorist; Mark Glidden, colorist; Michael Eury, editor; Dave Stevens (?), cover Jonny Quest Classics (Three-Issue Collector's Series) [COMICO]Click on the images or titles to see the full wrap-around covers by Doug Wildey. Also, you can follow this link to go to a page where you can view much larger versions of these images and several others, or download archives of the images for printing your own "mini-posters" of these wonderful comic book covers.Doug Wildey (writer, artist, inker, colorist, letterer, etc.) Some scans of the original artwork for this comic book's cover by Doug Wildey sent in by the owner, Patrick Jackson. The piece is 18 x 23 1/2 inches. An awesome collectible, Patrick, thanks for sharing it with us! Aside from the thrill of seeing Wildey's recapturing of a classic JQ television episode, in the back is part one of a three-part interview with Doug Wildey, in which he talks about the episode in detail, why it is his favorite of all the JQ episodes, why they were careful with Dr. Zin, and more. Doug Wildey (writer, artist, inker, colorist, letterer, etc.) The story of Hadji joining Jonny Quest's family as told by the man behind the vision. Some of the elements have changed, and IMHO the tale is the better for it. Wildey's attention to detail, to have it, above all, make sense, is a great asset and one forgives easily for changing the images a bit here and there. After all, they are his images. Part two of the Comico-Wildey interview adds more details and lets us take a peek into what goes on "behind the scenes." Doug Wildey (writer, artist, inker, colorist, letterer, etc.) It's a shame Wildey didn't adapt ALL of the JQ television episodes into comic book form...in this final "classics" installment, we travel to the Canadian wilderness in another fine offering. And in part three of the interview with Doug Wildey, we learn about JQ's television character voice actors, a bit about Wildey's fascination with the wild west, and even about how Jonny got his hair! Jezebel JadeIn 1988, Comico produced a short (3-issue) series titled "Jezebel Jade" which told how this lady of intrigue first met Race Bannon. The tale unfolds as Jonny and Hadji are relegated to house-cleaning duties, and come across a manuscript buried in the back of Race's closet, and apparently written by Race more than 10 years ago. Eager to shirk their chores for a more exciting experience (who can blame them?), the boys delve into the pages, and are soon caught up in the story.
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